Bibliography

 

Anon. International Ceramics and Glass in the 21st Century, Seto, Japan, 2011

Anon. Willoughby Sculpture Prize, The Incinerator, NSW, 2011

Anon. The Waterhouse Natural Science Art Prize: Finalist artworks, South Australian Museum, 2016, p18

Anon., ‘Exhibition in glass’, Bega District News, 3 October, 2008

Shawn Waggoner, New Glass Review #32, The Corning Museum of Glass, USA, 2011, illustrated p25

Shawn Waggoner, New Glass Review #29, The Corning Museum of Glass, USA, 2008, illustrated p30

Shawn Waggoner, New Glass Review #34, The Corning Museum of Glass, USA, 2013, illustrated p30

Maureen Cahill, RFC Glass Prize, Resource Finance Corporation Limited, Sydney, 1996, p11

Maureen Cahill, RFC Glass Prize, Resource Finance Corporation Limited, Sydney, 1995

Maureen Cahill, Ranamok Glass Prize, 1995- 2014, 20 years, Sydney, 2014

Robert Crocker et al., Designing minds: a selection of interior design products and prototypes developed by Australian designer-makers in creative relationships with industry, Object: Australian Centre for Craft and Design, Sydney, 2000, p33

Kerry-Anne Cousins, ‘Deep reflection in glass spaces’, Times2: Canberra Times, 5 November 2008, p8

Julie Ewington, Heartland, Canberra Glassworks, ACT, 2007

Mark Ferguson, The JamFactory Biennial 1999, JamFactory Contemporary Craft and Design, Adelaide, 1999

Suzanne K. Frantz, 20/20 Vision, Museum of American Glass at Wheaton Village, New Jersey, USA, 2004, p47

Merryn Gates, Latitudes: Bullseye glass in Australia, Canberra School of Art Gallery, Australian National University, ACT, 1998

Merryn Gates, Momentum, Belconnen Arts Centre, ACT, 2013, p30

Merryn Gates, Tangerine Gold, National Art Glass Gallery, Wagga Wagga, NSW, 2010

Merryn Gates, ‘F!NK: fostering design’, Object magazine, #49, p

Meredith Hinchliffe,  ‘Heat, concentration, the roar of gas furnaces and team work’, The Canberra Review, 25 September, 1999

Noris Ioannu, Australian Studio Glass, Craftsman House, Sydney, 1995, p125

Noris Iaonnu, Masters of their craft: tradition and innovation in the Australian contemporary decorative arts, Thames and Hudson, Sydney, 1997

Mark Jackson, Toye, JamFactory, Adelaide, SA and Sydney College of the Arts, Sydney, NSW, 1997

Elizabeth Kelly, Points of Saturation, JamFactory, Adelaide, SA, 2001

Hitomi Kitamura, ‘Made in Japan’, Craft Arts International, #76, 2009, p89

Dan Klein, Venezia Aperto Vetro 1998: International New Glass, Electra, Milan, 1998, p82

Uta M. Klotz, Neues Glas/New Glass, Rietveld Academy, Summer 2002, illustrated p79

Frank McBride, Ranamok Glass Prize 2010, Ranamok Glass Prize Limited, Sydney, 2014, p31–32

Barb McConchie, ‘City of Glass’, Crafts Arts International, #69, 2007, p106–07

Tina Oldknow, Ranamok Glass Prize 2010, Ranamok Glass Prize Limited, Sydney, 2010, p36–37

Margot Osborne, ed., Designing craft/crafting design: 40 Years of JamFactory, JamFactory, Adelaide, SA, 2013, p108–09

Margot Osborne, Australian Glass Today, Wakefield Press, Adelaide, SA, 2005

Margot Osborne, Glass State 2001, JamFactory, Adelaide, SA, 2001

Susan Ostling, Future Facture, Craft Queensland, Brisbane, QLD, 2001

Sally Prior, ‘Ranamok Glass Prize 2014: end of an era’, Sydney Morning Herald, 15 August, 2014

Michael Reid, ‘Works you can bank on for the price of paying rent’, The Weekend Australian, 16–17 October, 1999, p43

Michael Scarrone et al., Australian Signatures, The National Art Glass Collection, Wagga Wagga Art Gallery, NSW, 2013, p84

David Sequeira, Geometry rhythym light: glass and the everyday, Object, Sydney, 2004

Diana Streak, ‘Raise a glass to Ranamok’, Canberra Weekly, September, 2014, p14–15

Benita Tunks, ed., Earth, Belconnen Arts Centre, ACT, 2016

Catrina Vignando, Domestic design, Craft ACT, ACT, 2000

Richard Whiteley, ‘Masters of the Universe’, Object magazine, #4, 1997, p51

Linda Williams, Aurora, RMIT Gallery and Asialink, Melbourne, 1996